Senin, 29 Desember 2008

KATA PENGANTAR DARI SANTOS!!!


Hallo, ini santos alias nama biasanya Cynthia Santoso. Sekarang ini aku sekolah di DOMSAV yang pastinya udah klaz 3, tepatnya di klaz 9D. aq mengambil tema "DISNEY" krn aq suka banget ama film -film animasinya n' box officena. Great job buat org2 yang tlh membuat film2 tsb. Dibawah ini ada beberapa contoh produk film animasi dari disney sendiri, serta biografi pelapor disney itu sendiri yaitu paq Walt Disney. Walaupun sumber dari blog ini hanya mengcopy-paste dari internet. tapi dilihat dari sisi manapun jadi lebih ringkas kan?

TOY STORY

Plot
Old-fashioned
cowboy doll Woody is coordinating a reconnaissance mission around his owner Andy's birthday party in the days before Andy's family move to their new house. To Woody's dismay, Andy receives a new action figure in the form of space ranger Buzz Lightyear, whose impressive features soon see Buzz replacing Woody as Andy's favorite toy. Woody - the former de facto leader of Andy's toys - is disappointed by his replacement and resentful towards Buzz. For his part, Buzz does not understand that he is a toy. Instead he believes himself to be an actual space ranger, seeing Woody as an interference in his 'mission'.
Later, Woody wants to replace Buzz on a family outing. He intends to trap Buzz in a gap behind Andy's desk, but the plan goes disastrously wrong and Buzz is knocked outside the house. The other toys accuse Woody of attempting to
murder Buzz out of jealousy, but are unable to punish him before Andy leaves the house with Woody for the outing at the space-themed Pizza Planet restaurant. Buzz sees Andy getting into his mother's car with Woody and manages to climb aboard, where he confronts Woody while Andy's mother refuels the car. The two end up fighting and accidentally land outside the car, which drives off and leaves the two stranded.
Woody spots a truck bound for Pizza Planet and plans to rendezvous with Andy there. Realizing that he will face the wrath of the other toys, Woody convinces Buzz that the truck will take them to a
spaceship. Once at Pizza Planet, Buzz makes his way into a claw game machine shaped like a spaceship, thinking it to be the ship Woody promised him. While Woody clambers in to try and rescue him, Buzz (with Woody hanging on to his foot) is captured by Andy's next-door neighbor, the toy-destroying Sid Phillips.
The two desperately attempt to escape from Sid's house before Andy's family's moving day. There they encounter nightmarish "
mutant" toys inhabiting his room, as well as Sid's vicious dog Scud. Buzz stumbles into the living room, where he sees a Television advertisement for Buzz Lightyear toys just like himself. Confused and crestfallen of his true nature, Buzz dares an attempt to fly but falls and breaks his arm from its socket. Woody is unable to get a miserable Buzz to participate in his rescue plan, even when the mutant toys show their true colors and repair Buzz's arm. Sid prepares to destroy Buzz with a firework rocket. In the film's turning point, Woody admits that Buzz is a "cool toy", but despairs that he himself stands no chance of being Andy's favorite. Buzz changes his mind and decides that life is worth living even if he's not a space ranger and helps Woody, but Sid wakes up before they can escape and takes Buzz (still strapped to the rocket), to his backyard launchpad. In cooperation with Sid's mutant toys, Woody stages a rescue of Buzz and simultaneously terrifies Sid into running away in fear of his own toys. But even after their efforts, the two miss Andy's car as it drives away to his new house.
Chasing the moving van, they attract the attention of Scud. Buzz saves Woody by tackling the dog, but dooms himself. Woody attempts to rescue Buzz with Andy's
radio-controlled car R.C. At first, the the other toys in the moving van mistakenly believe Woody is attempting to get rid of R.C. now by throwing him off the truck. Buzz and Woody attempt to catch up; after witnessing Woody trying to save Buzz, the other toys have a change of heart and try to help them back on, but R.C.'s batteries are depleted. Woody then realizes that he can ignite Buzz's rocket, and all three toys make their way back to Andy safely.
At
Christmas, a reconciliated Buzz and Woody are now both Andy's favorite toys and have become best friends, inspiring confidence among the other toys. Together they stage another reconnaissance mission to determine the threat, if any, presented by the new arrivals - one of which is revealed to be a puppy.

lilo n ' stitch




LILO N' STITCH


Lilo & Stitch is a 2002 American film the 42nd animated feature in the Disney animated features canon. released by Walt Disney Pictures on June 21, 2002. The film was written and directed by Chris Sanders and Dean DeBlois, and was the second of three Disney animated features produced primarily at its animation studio at Disney-MGM Studios in Orlando, Florida. The film was rated PG for "mild sci-fi action". Lilo & Stitch was nominated for the 2002 Academy Award for Best Animated Feature, which ultimately went to Spirited Away.




PLOT


An extra-terrestrial mad scientist named Dr. Jumba Jookiba (David Ogden Stiers) is put on trial by a galactic governing body, headed by a Grand Councilwoman, for illegally creating dangerous creatures. The council is showed the creature, Experiment 626. Jumba tells the council that 626 is bullet proof, fire proof, extremely intelligent, can see in the dark and posesses super strength but his only instinct is to destroy. 626 is banished to exile on a desert asteroid. However, he escapes and zooms away in a police cruiser.
His pod crashes onto Earth. On the run, he passes himself off as a dog on Earth. (He starts off with three pairs of limbs, antennae, and things on his back that resemble feathers, but hides two of the pairs of limbs, antennae, and feathers.) He finds his way to a little girl named
Lilo Pelekai (Daveigh Chase) who is living with her 21-year-old sister Nani (Tia Carrere), as their parents have recently died in a car accident. ("It was raining, and they went for a drive, and...") Lilo is lonely and a bit of an outcast. Her friends don't seem to include her in their gang, and in rage she punches one of them. A social worker named Cobra Bubbles (Ving Rhames) is monitoring Nani's progress, as he is concerned that her parenting techniques do not meet the standards required to raise a child and is considering putting Lilo into foster care. Nani is fearful of this, as Lilo is the only family she has left, and vice versa. Lilo doesn't help, as she doesn't really know what may happen.
To try to help, Nani takes Lilo to an
animal shelter, so she can adopt a dog, and she finds 626. He had been running from Jumba - who had arrived soon after him. She thinks it is a dog - whom she names "Stitch." She identifies with Stitch's strong antisocial tendencies, and the two form a bond immediately. Unfortunately, his violent behaviour costs Nani her job. Stitch initially attempts to escape the island but finds that it is impossible because he is afraid of the water, and cannot swim since his body is too dense. Stitch resigns himself to stay with Lilo when he spots that he is being watched by Jumba and Galactic Agent Pleakley (Kevin McDonald), who have been assigned to recapture Stitch without being detected by humans in exchange for Jumba's freedom. Pleakley is both a guide and Jumba's surpervisor, to ensure Jumba does not escape should he fail to recapture Stitch. Lilo notes Stitch's violent tendencies and attempts to teach him to relax, holding up her favorite musician Elvis Presley as a model example of behavior.
Cobra Bubbles tells Nani that unless she finds employment and improves their living conditions, he will have to take Lilo into foster care. She has three days to change his mind. Nani, with the help of her friend David, tries several times to find employment, but is unable to secure a position, as Lilo's attempts to tame Stitch by having him behave as Elvis Presley generally lead to disaster during Nani's job interviews. After one such tiring day, David offers Nani and Lilo a day of surfing at the beach. While the three of them are trying to help Stitch learn how to surf, Jumba and Pleakley capture Stitch from underwater, leading Stitch to grab onto Lilo, dragging her under. David manages to rescue both Lilo and Stitch, but Nani believes that Stitch was attacking Lilo. Unfortunately, Cobra Bubbles saw the entire event, and tells Nani (not without sympathy) that it's time to separate Lilo from her and that he'll return the next morning. Stitch realizes that it was his fault and returns to Lilo's house alone. After seeing Lilo and Nani express affection as sisters, and discuss the importance of their culture and being together as a family, he experiences an identity crisis and decides to leave, hiding in the woods feeling completely lost.
The following morning, Jumba and Pleakley are fired for not capturing Stitch. The Grand Councilwoman assigns Captain Gantu to capture Stitch. This leads Jumba, no longer bound by Galactic Code, to aggressively chase Stitch in one last effort. He finds Stitch in the woods and finds out that Stitch is waiting for "family" to arrive. Jumba says that Stitch, being an experimental creation, doesn't have one and that he can never belong. Stitch runs from Jumba and a chase ensues. Meanwhile, Lilo discovers that Stitch left, while David arrives with a job offer for Nani. Nani tells Lilo to stay at home and not to answer the door. Stitch comes back to Lilo's home, followed by Jumba, and the two begin to fight while Lilo calls Cobra Bubbles for help. The house is ultimately demolished, with Nani and Agent Bubbles arriving just after. Seeing Nani and Cobra arguing, Lilo runs off into the woods and encounters Stitch. He reveals his true alien form, and Lilo is furious that he had deceived her. Before Lilo can say any more, Gantu captures both of them. Stitch manages to escape the pod they are both placed in but is then confronted by Nani. At this point, Stitch finally speaks to her in
pidgin English and shows that he is an alien and does understand the meaning of ohana, meaning "family" and "that nobody gets left behind or forgotten". Jumba is able to capture Stitch during this moment of understanding, but Nani pleads with him to help save Lilo from Gantu, and he reluctantly agrees.
Employing Jumba's spaceship, they and Gantu give chase around the Hawaiian mountains. Stitch manages to land on Gantu's ship and attempts to free Lilo, but Gantu reconfigures the angle of the afterburners to blast Stitch off the ship. After a moment of unconsciousness, Stitch wakes up just in time to save a frog from being run over by a gasoline truck. Hijacking the same truck, Stitch drives it straight into an active volcano, taunting Gantu and releasing the fuel into the lava. The explosion launches Stitch like a rocket straight into Gantu's cockpit. Gantu tries to smash Stitch but ends up getting thrown off the ship. Stitch rescues Lilo moments before the ship explodes. When everyone lands in the ocean, David is coincidentally surfing nearby and helps transport everyone to shore.
Just as they arrive to the shore, it is suddenly revealed that the Grand Councilwoman herself has come to arrest Stitch. Stitch, using his new name and broken English, asks to say good-bye to Lilo and Nani, telling the Grand Councilwoman: "This my family. I found it all on my own. It's little, and broken, but still good." Lilo presents the certificate of adoption from the dog pound which, as a legally binding document, makes her responsible for Stitch. The Grand Councilwoman sees that Stitch has reformed into a civilized creature under Lilo's care, and so Stitch's sentence of life in exile is altered: he's now considered a ward of Lilo and Nani's. Cobra Bubbles is revealed to be a former
CIA agent who previously met the Grand Councilwoman at Roswell, and he promises to keep an eye on the family. The movie ends with both Jumba and Pleakley assigned to Earth (they help rebuild the demolished home with some of their alien technology), and with Stitch being fully accepted into Lilo's family.

Lilo & Stitch is the sixth Disney animated feature to take place in the present day, following
Oliver & Company. The movie was originally intended to take place in rural Kansas[1] so that Stitch could interact with other characters while still being isolated from wreaking greater havoc. A decision to change the film's setting to the Hawaiian island of Kauaʻi was an important choice in defining the plot more clearly. No other feature-length animated movie had ever taken place on any of the Hawaiian islands before.[1] In Sanders' words:
"Animation has been set so much in ancient, medieval Europe—so many
fairy tales find their roots there, that to place it in Hawaiʻi was kind of a big leap. But that choice went to color the entire movie, and rewrite the story for us."
While the animation team visited Kauaʻi to research the locale, their
tour guide explained the meaning of ʻohana as it applies to extended families. This concept of ʻohana became an important part of the movie. DeBlois recalls:
"No matter where we went, our tour guide seemed to know somebody. He was really the one who explained to us the Hawaiian concept of ʻohana, a sense of family that extends far beyond your immediate relatives. That idea so influenced the story that it became the foundation theme, the thing that causes Stitch to evolve despite what he was created to do, which is destroy."
The island of Kauaʻi had previously been featured in such films as
Raiders of the Lost Ark and the Jurassic Park trilogy. The Disney animators faced the daunting task of meshing the film's plot, which showed the impoverished and dysfunctional life that many Hawaiians and other Westerners lived during the recent economic downturn, with the island's serene beauty. To give a brighter image to the film, the studio used watercolors to paint the backgrounds.
Jason Scott Lee, who has Hawaiian ethnicity, co-wrote the dialogue for his character.




Soundtrack
Main Article:
Lilo & Stitch (soundtrack)

Track listing
#
Title
Singing by
1
"
Hawaiian Rollercoaster Ride"
Mark Keali'i Ho'omalu, The Kamehameha Schools Children's Chorus
2
"
Stuck on You"
Elvis Presley
3
"
Burning Love"
Wynonna
4
"
Suspicious Minds"
Elvis Presley
5
"
Heartbreak Hotel"
Elvis Presley
6
"
Devil in Disguise"
Elvis Presley
7
"He Mele No Lilo"
Mark Keali'i Ho'omalu
8
"
Hound Dog"
Elvis Presley
9
"
Can't Help Falling in Love"
A*Teens
10
"Stitch to the Rescue"
Score
11
"You Can Never Belong"
Score
12
"I'm Lost"
Score

Sequels
The film has had a total of three related movies come after it.
Stitch! The Movie (2003)
Lilo & Stitch 2: Stitch has a Glitch (2005)
Leroy & Stitch (2006)


*A 1985 concept sketch of Stitch by creator Chris Sanders.
Social worker Cobra Bubbles, formerly of the
CIA, is modeled on the mysterious "Men in Black" (of urban legends and several hit movies) who work to prevent an alien takeover of Earth and to persuade humans that aliens do not exist.
Items in the background of both Lilo and Nani's rooms reference other Disney movies. Lilo has a stuffed
Dumbo doll on her art easel, while Nani has a movie poster for Mulan on her wall. Additionally, a restaurant called "Mulan Wok" is visible during the scene where Stitch sees "Earth vs. the Spider" in a shop-window television. The directors had worked on Mulan.
Famous Japanese animator
Hayao Miyazaki's film Kiki's Delivery Service is given a nod by the appearance of "Kiki's Coffee House". Another reference to Miyazaki's work is the scene following Stitch's crash-landing on Earth, reminiscent of the bus stop scene from My Neighbor Totoro.
The end of the movie features snapshots of the future "family" life of Stitch with Lilo and the others, each of them variations of classic images like famous
Norman Rockwell illustrations.
Chris Sanders, one of the directors of the film, also served as co-screenwriter, co-character designer, and provided the voice of Stitch, a character he first created in 1985.
Earth is referred as being in Quadrant 17, Section 005, Area "51" in the Galactic charts, one of several references to
Area 51.
During the introduction of Stitch to Lilo's room, he finds a book of "road maps of Iowa" which pokes fun at the idea that Iowa has enough road maps to fill a large book but when he pulls a page from it, it shows a global map with two islands and a large body of water.
The alien text that the Galactic Federation uses is known as "Tantalog" text and was designed for the film. The text can be downloaded and used in word processing programs.
When Lilo and Stitch walk past the store selling calendars with images from around the world, the "Orlando" calendar has a picture of
the Magic Kingdom.
There are several "
hidden Mickeys" in the film: one is visible on Jumba's platform in the Grand Council scene, another is a clothing logo on one of Lilo's photo subjects on her bedroom wall, and another is one of the gauges on the control panel of Gantu's ship.
Near the beginning of the film, during the trial, Stitch is asked by the Grand Councilwoman to provide some sign that he understands what's going on. He responds by licking the inside of his glass cage. The saliva trail is in the famous "D" shape in the
Walt Disney logo.
After the trial as Jumba is taken into prison, you can hear the sound of a Probe Droid from The Empire Strikes Back.
The sign on Lilo's door is the Hawaiian word "kapu" that loosely translates as "keep out" and is also the Hawaiian version of the Tahitian word "Tabu"; more commonly known as "taboo."
All of the
license plates in the film (VW, Nani's car, the gas tanker, the fire engine, and Cobra Bubbles' car) are A113, the same as the number on Mrs. Davis's license plate in Toy Story and Mater's plate number in Cars; it's also used in many other Disney and Pixar films. It refers to a room number at California Institute of the Arts where many of the animators at those two companies received their education.
The A113 license can also be seen during Stitch's reign of terror on his model of San Francisco.
When Stitch is attacking the city of San Fransico he made out of blocks, he parodies
Godzilla.
The two
hover car presents given to Lilo and Stitch make the same sounds as the flying cars in "The Jetsons".
According to Stitch's
dog license at the shelter, the adoption official is "Susan Hegarty", the name of the actress who voiced the character. Also per the license, Lilo and Nani's last name is "Pelekai".
The words on Stitch's dog license at the shelter are part of a resolution thanking people for their support during the making of the movie. The words are difficult to make out, but the last part reads, "as well as our partners at
Disney MGM Studios for their participation and support during the making of Lilo and Stitch." The viewer can see a close-up of them during the last few lines in the scene where "Susan" stamps the seal on the form.
In one scene, a pink jeep car can briefly be seen in the lower-left corner of the screen. This is a reference to the
Elvis movie Blue Hawaii, in which he drove such a car.
The scene where Stitch is walking down a path after leaving Lilo is taken from the Disney film version of
The Ugly Duckling. The illustrations in Lilo's storybook are also based on scenes from that film.
Near the end, the tracking screen Captain Gantu uses to locate Stitch on Hawaii shows the icon for the Disney theme park in Florida,
Epcot - Spaceship Earth.
Running gag: Every time Pleakley looks at or tries to show someone information about Earth, the device used is a "
ViewMaster". ViewMasters create the illusion that the viewer is looking at a three-dimensional image, but it's actually created by each eye looking at slightly different pictures. The basic premise is that the person looking in it has two eyes to create the effect, but Pleakley is a one-eyed creature and therefore wouldn't see the 3-D effect. Adding to the gag is when he hands the ViewMaster to Dr. Jumba, a one-eyed alien handing a four-eyed alien a viewing device intended for two-eyed humans.
When Stitch awakes at the
dog pound, there are a number of dogs shaking in fear in the corner of his cell. They're the same dog breeds that Lady encounters in her trip to the dog pound in Lady and the Tramp (1955). Here, they don't know that Stitch is an alien, but they know he's not a dog. It could also be a reference to John Carpenter's "The Thing".
The grocery store where Nani tries to get a job is owned by a "Mrs. Hasegawa", a reference to the famous "Hasegawa's General Store" in the town of Hana on Maui.
After Stitch breaks the
water gun apart, Cobra is shown looking disappointed, as a crowd of people run by in terror. The last two people to run by are cartoon versions of Chris Sanders and Dean DeBlois- Chris is the one with blond hair and sunglasses, Dean is the big man with a beard.
In the subtitles for the Chinese version, a line spoken by Stitch in his
alien language is translated into Chinese despite it having no corresponding English meaning. The reason for this is thought to be because Stitch's line sounded a lot like Ni Qu De (Go to your place), an offensive Chinese phrase used to tell somebody to go away. The actual Chinese translation was a lot more family-friendly. This line is placed at an earlier point than the first understandable dialog spoken by Stitch in the English version of the film.
The voice of Stitch was a difficult one to dub for other languages and that's why Dutch
voice artist Bob van der Houven does the voice of Stitch in the Dutch, German, Flemish and Italian versions of the film.
The original version of Jumba attacking Stitch in Lilo's home included Jumba using his plasma gun to shoot the ceiling instead of throwing dishes at Stitch. When revealed, Jumba's knife had weapons such as an ax, a saw blade, and other sharp objects instead of toothpaste, a comb and other small common essentials. Stitch had more action with the chain saw, including the chain saw cutting up the kitchen floor after Stitch lost control of it. Stitch tears out the stove and uses the broken gas line as a weapon by turning the gas on and filling the room with explosive vapor. Jumba fires his gun, causing a gas explosion that blows up the house, instead of Jumba and Stitch playing "hot potato" as Jumba's gun overloads and blows up the house. This scene can be viewed in the Special Edition 2-Disk set.
The original version of the flying chase scene at the end movie included Stitch stealing a
747, not Jumba's space ship, flying through downtown Honolulu and passing near buildings. The sequence was already animated with voices added early in production, but the scene was cut after the terrorist attacks of 9/11. The chase had to be re-written and re-drawn, except now taking place in the mountains. This deleted scene can be seen in the Special Edition 2-Disk set. Another scene that was deleted was one of Lilo's attempts to make Stitch into a model citizen by warning tourists on the beach about the tsunami warning sirens. When the sirens suddenly go off, everyone on the beach panics and runs away while Cobra watches (the animation created was instead used for when Stitch goes berserk on the beach) and Pleakley and Jumba flee thinking that Lilo has the power to control the water.
Producer
Clark Spencer has revealed that the story location was originally an isolated town in Kansas, rather than on Kauai. Coincidentally, Stitch can be said to vaguely resemble the spined aliens of the Critters series, which took place in Kansas, and also had a hunter dispatched to stop them.
When Jumba is ripping up the newspaper, some of the pictures look like past experiments: one next to the bed resembles Sprout (509), another Woops (600) and one looks like a white
Loch Ness Monster.
When the film was released, it was praised as an accurate portrayal of Hawaii, its people and their lives, not only for the dialogue using accurate Hawaiian slang (on the advice of Jason Scott Lee and Tia Carrere), but also for the realistic animation of the characters (i.e., realistic body shapes, noses, skin tones, etc.) and other touches in the film.
This is the first Disney animated movie in the
science fiction genre, rather than the typical fantasy.
When the
Grand Councilwoman and Pleakley board the elevator to Jumba's prison cell, one of the cells appears to contain Dr. Hämsterviel from Stitch! The Movie and the following TV series.
The Grand Councilwoman recognizes Bubbles, who responds by saying "CIA. Roswell, 1973", referencing supposed alien and government activity in Roswell, New Mexico.
When this film's production began in
1992, Stitch was originally going to be shown looking like a tuatara.
After the scene where Lilo's house explodes and Stitch flies out of it, he comes out of the rubble with his spines and extra two arms protruding, but when Nani's legs rushes past him, his spines disappear and he has two arms instead of four. This could be because he quickly retracted them before she could see, and exploit him.
At the beginning of the movie, the Grand Councilwoman seems not to know the Planet Earth (since she doesn't recognise it and doesn't know it's almost completely covered in
water). However, in the end of the movie, she claims she has already been on Earth in the Roswell incident, and she has met Cobra Bubbles.

lilo n ' stitch

Sabtu, 27 Desember 2008

walt disney & karya karyanya





Walt Disney, Biography
Try to imagine a world without Walt Disney. A world without his magic, whimsy, and optimism. Walt Disney transformed the entertainment industry, into what we know today. He pioneered the fields of animation, and found new ways to teach, and educate.
Walt's optimism came from his unique ability to see the entire picture. His views and visions, came from the fond memory of yesteryear, and persistence for the future. Walt loved history. As a result of this, he didn't give technology to us piece by piece, he connected it to his ongoing mission of making life more enjoyable, and fun. Walt was our bridge from the past to the future.
During his 43-year Hollywood career, which spanned the development of the motion picture industry as a modern American art, Walter Elias Disney established himself and his innovations as a genuine part of Americana.
A pioneer and innovator, and the possessor of one of the most fertile and unique imaginations the world has ever known. Walt Disney could take the dreams of America, and make them come true. He was a creator, a imaginative, and aesthetic person. Even thirty years after his death, we still continue to grasp his ideas, and his creations, remembering him for everything he's done for us.
Walt Disney in his office © Disney
Walter Elias Disney was born on December 5, 1901 in Chicago Illinois, to his father, Elias Disney, an Irish-Canadian, and his mother, Flora Call Disney, who was of German-American descent. Walt was one of five children, four boys and a girl.
Later, after Walt's birth, the Disney family moved to Marceline, Missouri. Walt lived out most of his childhood here. Walt had a very early interest in drawing, and art. When he was seven years old, he sold small sketches, and drawings to nearby neighbors. Instead of doing his school work Walt doodled pictures of animals, and nature. His knack for creating enduring art forms took shape when he talked his sister, Ruth, into helping him paint the side of the family's house with tar.
Close to the Disney family farm, there were Santa Fe Railroad tracks that crossed the countryside. Often Walt would put his ear against the tracks, to listen for approaching trains. Walt's uncle, Mike Martin, was a train engineer who worked the route between Fort Madison, Iowa, and Marceline. Walt later worked a summer job with the railroad, selling newspapers, popcorn, and sodas to travelers.
During his life Walt would often try to recapture the freedom he felt when aboard those trains, by building his own miniature train set. Then building a 1/8-scale backyard railroad, the Carolwood Pacific or Lilly Bell.
Besides his other interests, Walt attended McKinley High School in Chicago. There, Disney divided his attention between drawing and photography, and contributing to the school paper. At night he attended the Academy of Fine Arts, to better his drawing abilities.
Walt discovered his first movie house on Marceline's Main Street. There he saw a dramatic black-and-white recreation of the crucifixion and resurrection of Christ.
During these "carefree years" of country living young Walt began to love, and appreciate nature and wildlife, and family and community, which were a large part of agrarian living. Though his father could be quite stern, and often there was little money, Walt was encouraged by his mother, and older brother, Roy.
Even after the Disney family moved to Kansas City, Walt continued to develop and flourish in his talent for artistic drawing. Besides drawing, Walt had picked up a knack for acting and performing. At school he began to entertain his friends by imitating his silent screen hero, Charlie Chaplin. At his teachers invitation, Walt would tell his classmates stories, while illustrating on the chalk board. Later on, against his fathers permission, Walt would sneak out of the house at night to perform comical skits at local theaters.
During the fall of 1918, Disney attempted to enlist for military service. Rejected because he was under age, only sixteen years old at the time. Instead, Walt joined the Red Cross and was sent overseas to France, where he spent a year driving an ambulance and chauffeuring Red Cross officials. His ambulance was covered from stem to stern, not with stock camouflage, but with Disney cartoons.
Once he returned from France, he wanted to pursue a career in commercial art, which soon lead to his experiments in animation. He began producing short animated films for local businesses, in Kansas City. By the time Walt had started to create The Alice Comedies, which was about a real girl and her adventures in an animated world, Walt ran out of money, and his company Laugh-O-Grams went bankrupted. Instead of giving up, Walt packed his suitcase and with his unfinished print of The Alice Comedies in hand, headed for Hollywood to start a new business. He was not yet twenty-two.
The early flop of The Alice Comedies inoculated Walt against fear of failure; he had risked it all three or four times in his life. Walt's brother, Roy O. Disney, was already in California, with an immense amount of sympathy and encouragement, and $250. Pooling their resources, they borrowed an additional $500, and set up shop in their uncle's garage. Soon, they received an order from New York for the first Alice in Cartoonland(The Alice Comedies) featurette, and the brothers expanded their production operation to the rear of a Hollywood real estate office. It was Walt's enthusiasm and faith in himself, and others, that took him straight to the top of Hollywood society.
Although, Walt wasn't the typical Hollywood mogul. Instead of socializing with the "who's who" of the Hollywood entertainment industry, he would stay home and have dinner with his wife, Lillian, and his daughters, Diane and Sharon. In fact, socializing was a bit boring to Walt Disney. Usually he would dominate a conversation, and hold listeners spellbound as he described his latest dreams or ventures. The people that where close to Walt were those who lived with him, and his ideas, or both.
On July 13, 1925, Walt married one of his first employees, Lillian Bounds, in Lewiston, Idaho. Later on they would be blessed with two daughters, Diane and Sharon . Three years after Walt and Lilly wed, Walt created a new animated character, Mickey Mouse.
His talents were first used in a silent cartoon entitled Plane Crazy. However, before the cartoon could be released, sound was introduced upon the motion picture industry. Thus, Mickey Mouse made his screen debut in Steamboat Willie, the world's first synchronized sound cartoon, which premiered at the Colony Theater in New York on November 18, 1928.
Walt with many plush Mickey Mouse Dolls© Disney
Walt's drive to perfect the art of animation was endless. Technicolor was introduced to animation during the production of his Silly Symphonies Cartoon Features. Walt Disney held the patent for Technicolor for two years, allowing him to make the only color cartoons. In 1932, the production entitled Flowers and Trees won Walt the first of his studio's Academy Awards. In 1937, he released The Old Mill, the first short subject to utilize the multi-plane camera technique.
On December 21, 1937, Snow White and the Seven Dwarfs, the first full-length animated musical feature, premiered at the Carthay Theater in Los Angeles. The film produced at the unheard cost of $1,499,000 during the depths of the Depression, the film is still considered one of the great feats and imperishable monuments of the motion picture industry. During the next five years, Walt Disney Studios completed other full-length animated classics such as Pinocchio, Fantasia, Dumbo, and Bambi.
Walt rarely showed emotion, though he did have a temper that would blow over as it blew up. At home, he was affectionate and understanding. He gave love by being interested, involved, and always there for his family and friends. Walt's daughter, Diane Disney Miller, once said:
Daddy never missed a father's function no matter how I discounted it. I'd say,"Oh, Daddy, you don't need to come. It's just some stupid thing." But he'd always be there, on time.
Probably the most painful time of Walt's private life, was the accidental death of his mother in 1938. After the great success of Snow White and the Seven Dwarfs, Walt and Roy bought their parents, Elias and Flora Disney, a home close to the studios. Less than a month later Flora died of asphyxiation caused by a faulty furnace in the new home. The terrible guilt of this haunted Walt for the rest of his life.
In 1940, construction was completed on the Burbank Studio, and Disney's staff swelled to more than 1,000 artists, animators, story men, and technicians. Although, because of World War II 94 percent of the Disney facilities were engaged in special government work, including the production of training and propaganda films for the armed services, as well as health films which are still shown through-out the world by the U.S. State Department. The remainder of his efforts were devoted to the production of comedy short subjects, deemed highly essential to civilian and military morale.
Disney's 1945 feature, the musical The Three Caballeros, combined live action with the cartoon animation, a process he used successfully in such other features as Song of the South and the highly acclaimed Mary Poppins. In all, more than 100 features were produced by his studio.
Walt's inquisitive mind and keen sense for education through entertainment resulted in the award-winning True-Life Adventure series. Through such films as The Living Desert, The Vanishing Prairie, The African Lion, and White Wilderness, Disney brought fascinating insights into the world of wild animals and taught the importance of conserving our nation's outdoor heritage.
Walt Disney's dream of a clean, and organized amusement park, came true, as Disneyland Park opened in 1955. As a fabulous $17-million magic kingdom, soon had increased its investment tenfold, and by the beginning of its second quarter-century, had entertained more than 200 million people, including presidents, kings and queens, and royalty from all over the globe.
Walt Disney on his trips through Disneyland© Disney


A pioneer in the field of television programming, Disney began television production in 1954, and was among the first to present full-color programming with his Wonderful World of Color in 1961. The Mickey Mouse Club was a popular favorite in the 1950s.But that was only the beginning. In 1965, Walt Disney turned his attention toward the problem of improving the quality of urban life in America. He personally directed the design of an Experimental Prototype Community of Tomorrow (EPCOT). It was planned as a living showcase for the creativity of American industry. Disney said this about EPCOT:
I don't believe there is a challenge anywhere in the world that is more important to people everywhere than finding the solutions to the problems of our cities. But where do we begin? Well, we're convinced we must start with the public need. And the need is not just for curing the old ills of old cities. We think the need is for starting from scratch on virgin land and building a community that will become a prototype for the future.
Thus, Disney directed the purchase of 43 square miles of virgin land--twice the size of Manhattan Island--in the center of the state of Florida. Here, he master planned a whole new "Disney world" of entertainment to include a new amusement theme park, motel-hotel resort vacation center, and his Experimental Prototype Community of Tomorrow. After more than seven years of master planning and preparation, including 52 months of actual construction, the Walt Disney World Resort, including the Magic Kingdom Park, opened to the public as scheduled on October 1, 1971. EPCOT Center opened October 1, 1982, and on May 1, 1989, the Disney-MGM Studios Theme Park opened.
A few years prior to his death on December 15, 1966, Walt Disney took a deep interest in the establishment of California Institute of the Arts, a college-level professional school of all the creative and performing arts. CalArts, Walt once said, "It's the principal thing I hope to leave when I move on to greener pastures. If I can help provide a place to develop the talent of the future, I think I will have accomplished something."
The California Institute of the Arts was founded in 1961 with the combination of two schools, the Los Angeles Conservatory of Music and the Chouinard Art Institute. The campus is located in the city of Valencia, 32 miles northeast of downtown Los Angeles. Walt Disney conceived the new school as a place where all the performing and creative arts would be taught under one roof in a "community of the arts" as a completely new approach to professional arts training.
Walt Disney is a legend; a folk hero of the 20th century. His worldwide popularity was based upon the ideals which his name represents: imagination, optimism, creation, and self-made success in the American tradition. Walt Disney did more to touch the hearts, minds, and emotions of millions of Americans than any other person in the past century. Through his work he brought joy, happiness, and a universal means of communication to the people of every nation. He brought us closer to the future, while telling us of the past, it is certain, that there will never be such as great a man, as Walt Disney.

Walt Disney Pictures

Walt Disney Pictures adalah studio filmyang berbasis di Amerika Serikat. Studio ini adalah salah satu divisi theWalt Disney Company di bawah Buena Vista Motion Pictures Group. Walt Disney Pictures dikenal sebagai studio film yang mempertahankan citra sebagai studio yang memproduksi film untuk keluarga dengan peringkat G dan PG pada sistem penilaian film MPAA. Satu-satunya film yang di luar itu adalah Pirates of the Caribbean (2003) yang mendapat peringkat PG-13.
Studio ini berdiri sendiri sebagai sebuah divisi
The Walt Disney Company sejak 1983. Sebelumnya, film-film dirilis dari perusahaan induk Walt Disney Productions. Walt Disney Pictures sendiri terdiri dari Walt Disney Feature Animation dan DisneyToon Studios.

Hasil produksi
Disney Feature Films
Disney Animated Features
Mulan

Walt Disney Studios Animation
Animation historians love to say "It all started with a mouse". In fact it actually began with a visionary named Walt Disney.
From the early years in Kansas City with the likes of Ub Iwerks, Hugh Harmon and Rudy Ising. Walt Disney went on to become the single most important man in the history of animation. His legacy is a veritable who's who of animated characters; Snow White, Donald Duck, Pinocchio, Alice, Bambi, Cinderella, and of course, Mickey Mouse.
The Process of Animation
1. A storyboard is made, all the animators and directors come together to discuss the entire film.
2. The storyboards are presented as the story
3. Once the story is laid out, the dialogue is recorded. This is done before animation, so the animators know what the characters will say.
4. After the dialogue is recorded, the animators can make rough sketches of just the characters. Usually these drawings are quite messy, there is still no color, or background. Some animated films have used over 50,000 individual drawings.
At most animation studios, the best animators only sketched a few animation drawings, leaving gaps in between. Later on, a person called an "inbetweener" would finish the scenes, by drawing in between the areas that the animator had left.
5. Once the entire film has been drawn on paper, the animation drawings go to the inking department. There, the inkers copy the animation drawings on to a clear celluloid acetate, sometimes called a Cel.
6. After the outline of the characters has been made, the unfinished Cel's go to the Painting Department. The painters flip the Cel over, and paint the colors on the back. They paint on the back so the characters appear crisp, and have an outline.
7. Before the Animation Cels get photographed a background must be added. Because a Cel is clear, and it only has the painted character on it, if a background is made, it will show through. Usually backgrounds are painted with Tempera or Water Color paint. Although, in some Disney productions, the background was painted on glass, and combined with other glass painted backgrounds to create the illusion of extreme movement. (This technique is use in Snow White and the Seven Dwarfs.)
8. Now all the combined elements (the Cel and the background) can be photographed. Although, the final product is not filmed with a normal projector, or camera. A special device, with a lens mounted facing down on to a table top captures each frame of the animated feature. Usually, the background is placed into a special mount, then covered with the Cel, then covered with a large piece of glass, then photographed.
9. After all the drawings have been filmed, the dialogue is added. Sometimes the film is edited at this step.
10. The animated film is released, and the general public may view it.